In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian i...(展开全部)

In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian i...(展开全部)

Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's "Camouflage," Lydia Kwa's Pulse, Alexander Chee's Edinburgh,...(展开全部)

“For those interested in rhetoric studies, trans and queer studies, and Asian American studies, this book offers a case study in queer, trans, and disabled Asian and Pacific islander historiography and storytelling, depicting how these individuals have always forged, and will continue to forge, ways of being ‘at home’ in their bodies and the spaces they occupy.” —Stacey Park, L...(展开全部)

Illuminates an irreverent queer cultural strategy for grappling with and remaking abject histories of violence Extravagant Camp takes as its point of critical departure the multiple valences of the word “camp”: the camp, as a geopolitical space and process of concentrating racialized populations, and the campy as a mode of queer expressiveness. Engaging its double meaning, Chri...(展开全部)

Illuminates an irreverent queer cultural strategy for grappling with and remaking abject histories of violence Extravagant Camp takes as its point of critical departure the multiple valences of the word “camp”: the camp, as a geopolitical space and process of concentrating racialized populations, and the campy as a mode of queer expressiveness. Engaging its double meaning, Chri...(展开全部)

Filled with anecdotes about collectors, artists, and museums, and a chronological history of the spread of East Asian art collecting in the U.S., East Asian Art and American Culture provides insights on art collecting, art collectors, and their influence on society.

Filled with anecdotes about collectors, artists, and museums, and a chronological history of the spread of East Asian art collecting in the U.S., East Asian Art and American Culture provides insights on art collecting, art collectors, and their influence on society.

Why were U.S. intelligence organizations so preoccupied with demystifying East and Southeast Asia during the mid-twentieth century? Sunny Xiang offers a new way of understanding the American cold war in Asia by tracing aesthetic manifestations of “Oriental inscrutability” across a wide range of texts. She examines how cold war regimes of suspicious thinking produced an ambiguit...(展开全部)

Why were U.S. intelligence organizations so preoccupied with demystifying East and Southeast Asia during the mid-twentieth century? Sunny Xiang offers a new way of understanding the American cold war in Asia by tracing aesthetic manifestations of “Oriental inscrutability” across a wide range of texts. She examines how cold war regimes of suspicious thinking produced an ambiguit...(展开全部)