In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian i...(展开全部)

In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian i...(展开全部)

Illuminates an irreverent queer cultural strategy for grappling with and remaking abject histories of violence Extravagant Camp takes as its point of critical departure the multiple valences of the word “camp”: the camp, as a geopolitical space and process of concentrating racialized populations, and the campy as a mode of queer expressiveness. Engaging its double meaning, Chri...(展开全部)

Illuminates an irreverent queer cultural strategy for grappling with and remaking abject histories of violence Extravagant Camp takes as its point of critical departure the multiple valences of the word “camp”: the camp, as a geopolitical space and process of concentrating racialized populations, and the campy as a mode of queer expressiveness. Engaging its double meaning, Chri...(展开全部)

Filled with anecdotes about collectors, artists, and museums, and a chronological history of the spread of East Asian art collecting in the U.S., East Asian Art and American Culture provides insights on art collecting, art collectors, and their influence on society.

Why were U.S. intelligence organizations so preoccupied with demystifying East and Southeast Asia during the mid-twentieth century? Sunny Xiang offers a new way of understanding the American cold war in Asia by tracing aesthetic manifestations of “Oriental inscrutability” across a wide range of texts. She examines how cold war regimes of suspicious thinking produced an ambiguit...(展开全部)

斯蒂芬•G.布鲁克斯 达特茅斯学院政府系教授，著作有《制造安全》等。 威廉•C.沃尔福思 达特茅斯学院政府系教授，著作有《难以捉摸的平衡》等。 译者潘妮妮 重庆人，华东师范大学传播学院副教授。曾先后就读于北京大学和日本早稻田大学，获政治学与国际关系博士学位。主要研究领域为比较政治和国际政治，近年来主要进行日本政治和东亚区域关系研究。

【作者】 凯茜·帕克·洪（Cathy Park Hong，1976— ） 美籍韩裔作家、诗人，成长于洛杉矶。著有诗集《引擎帝国》《舞蹈革命》等，曾获巴纳德女诗人奖、古根海姆奖金、美国国家艺术基金奖金和国家书评人协会奖，入围普利策奖决选名单。因写作和倡导亚裔女性权利被《时代》评为2021年度百大人物。目前是《新共和》杂志的诗歌编辑，并在大学教授创意写作。 【译者】 张婷，本硕毕业于北京大学外国语学院，主要研究十九世纪英国小说。现居上海，从事教育相关工作，译作发表于《外国文艺》等。

Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics,...(展开全部)

Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics,...(展开全部)